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    Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and tone established by non-metrical means.While there was a substantial formalist reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures.Languages are often described as having timing set primarily by accents, syllables, or moras, depending on how rhythm is established, though a language can be influenced by multiple approaches. Syllable-timed languages include Latin, Catalan, French, Leonese, Galician and Spanish.English, Russian and, generally, German are stress-timed languages.qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh.Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke emotive responses.

    The methods for creating poetic rhythm vary across languages and between poetic traditions.

    Today, throughout the world, poetry often incorporates poetic form and diction from other cultures and from the past, further confounding attempts at definition and classification that were once sensible within a tradition such as the Western canon.

    The early 21st century poetic tradition appears to continue to strongly orient itself to earlier precursor poetic traditions such as those initiated by Whitman, Emerson, and Wordsworth.

    Classical thinkers employed classification as a way to define and assess the quality of poetry.

    Notably, the existing fragments of Aristotle's Poetics describe three genres of poetry—the epic, the comic, and the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the underlying purposes of the genre.

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